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Otherwise, the slight but inevitable variance in clocking from converter to converter (even the same brand/model) will prevent full null - but it might get close enough that you would think the problem is from elsewhere. if I have misunderstood some of the arguments in here, and the point is more about how iTunes decodes mp3's poorly compared to other players, then sorry I missed that point.This will only work if your DAW and iTunes are using the same converter/clock. Get them sample-accurately lined up, and do a null-test. Line up the two files in your DAW - the original 24/44.1 output, and the new file that was created using the iTunes output. So you can basically record iTunes' output as a new 24/44.1 file.
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Next you can use a free program like Jack OSX to route the audio, playing out of iTunes and into your DAW. If you guys are indeed saying this, here's what we can do to test:īounce/print a mix at 24/44.1, then import it into iTunes. This argument should be relatively easy to test, if I have my facts right.Īre some guys on this thread saying that iTunes, with a 24/44.1 file, will sound different (worse) than a 24/44.1 file played within a DAW? It doesn't matter how 'smart' or experienced you are, you can't really think your way around cognitive bias. Still, perceptual scientists insist that the test-giver should be 'blind' to the nature of the sources as well for real reliability, as subtle - sometimes extremely subtle - cues can be given, even totally inadvertantly.)Īs the scientists who study perception keep telling us, when trying to differentiate between two very similar sounds, our own expectations tend to contaminate those observations and decisions of preference. heh Just getting your own prior knowledge and expectation out of the way for informal testing like this will go a decent distance toward getting more reliable results. That's not actually strictly double blind, which requires that no one know which source is which, but you're probably not going to be sending this to the Science or Nature. (You might have to use an assistant and put them in another room where the subject can't see or hear them. It wouldn't, obviously, be as easy as doing an ABX of two files in an ABX enabled player like (the darkside's) Foobar, but, making sure your levels between players was within 0.1 dB of each other at the output, you should be able to set up something.
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Any unused portion of a free trial period will be forfeited if any subscription in Pakama is otherwise purchased.If you care (enough to spend for an expensive 'audio engine upgrade'), I strongly recommend testing your assumptions with proper double blind testing.
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